Entertainment
Kxng Harrxs fights for the success & releasing music for 2022
Kxng Harrxs started music at 8 years old from playing instruments such as flute, Recorder, Guitars, piano. He got into rapping when he was 13 or 14 years old. He has been singing since 10 years old.
Leonard Magazine Journalist
Hi! How are you?
Kxng Harrxs:
I’m great thank you so much.
Leonard Magazine Journalist
Tell us about your background, what has gotten you to where you are today?
Kxng Harrxs:
My background in music goes from the 40’s to the 90’s those era’s have so much inspiration on me. My fans and friends have gotten me this far in music today.
Leonard Magazine Journalist
Where are you from?
Kxng Harrxs:
I’m from Springfield Massachusetts.
Leonard Magazine Journalist
When did you start music?
Kxng Harrxs:
I started music at 8 years old from playing instruments such as flute, Recorder, Guitars, piano. I got into rapping when I was 13 or 14 years old. I’ve been singing since 10 years old.
Leonard Magazine Journalist
How did you get into music?
Kxng Harrxs:
I got into music and rapping by my homies I hang with shoutout to my homies.
Leonard Magazine Journalist
Who inspires you the most musically?
Kxng Harrxs:
A automatic inspiration into music was Tupac, Snoop, Kurupt, NWA, Biggie , Jay , Some of my homies.
Leonard Magazine Journalist
What do you want people to take away after listening to your music?
Kxng Harrxs:
I want my fans to take a lesson away from my music. I want them to remember that everything is not gonna be good sometimes stuff get rough it’s how you get up and continue to fight for the success.
Leonard Magazine Journalist
Any new music coming out soon?
Kxng Harrxs:
Yes new music in 2022 I have a joint in the summer dropping can’t tell you everything but all I know is that it’s gonna be big.
Leonard Magazine Journalist
How our Readers connect with you?
Kxng Harrxs:
Yes they can connect with me through my Instagram Account.
Leonard Magazine Journalist
Thank you so much for giving us your precious time.
Years after walking away from the industry at the height of his success, the Detroit singer, songwriter, and producer returns to his rock roots with a quiet anthem about devotion.
Most love songs chase the initial spark. Nick Caster is far more interested in what happens after the fire settles. That perspective sits at the heart of “Love Like Gold,” the latest single from the Detroit singer, songwriter, and music producer, which recently climbed to #1 on the Amazon Alternative Rock Best Sellers chart.
Built around warm, driving rock instrumentation and an unhurried vocal delivery, the track pushes back against the idea that romance has to be loud or expensive to matter. Instead, Caster focuses on the daily commitment it takes for two people to weather difficult seasons together.“‘Love Like Gold’ is about the kind of love that stays valuable through the hard days, not because life is perfect, but because two people keep showing up for each other,” Caster says. “I wanted the song to remind people that real love isn’t measured by grand gestures or what you can buy. It’s in the patience, loyalty, and little moments when someone makes you feel safe and seen.”
Seeing Caster at the top of a rock chart is hardly a surprise to anyone who followed his early career. Raised in Detroit, he spent his youth moving through group homes and the foster care system, first discovering music through his foster father,who worked as a DJ. Operating as an independent artist, Caster eventually secured Universal Music distribution through his work with Tiffany Gaines and built a serious foothold in rock radio. Along with standout releases like “Believe,” his single “Ride All Night” became a true endurance record, holding a spot on the national rock airplay charts for 128 weeks.
That momentum led him to Las Vegas in 2019 to shoot the music video for “Kickback,” a single with collaborator Nik11 that grew out of the success of “Ride All Night.” During the shoot, Caster’s fiancée unexpectedly passed away. While “Kickback” went on to break onto the Billboard charts, Caster was in no position to celebrate. He skipped the promotional tour and stepped away from making music for several years to grieve.
Knowing what it costs to lose someone gives “Love Like Gold” its weight. When Caster sings about protecting a rare connection, he isn’t dealing in clichés. The single arrives alongside another milestone for the Detroit native: his worship and inspirational pop track “You Were There” also hit #1 on the Amazon USA Top 100 Christian Best Sellers chart.Backed by marketing from Creativ Music Group & Push Global Entertainment, topping two completely different genre charts at the same time is a rare feat for an independent artist, yet both songs pull from the same well of lived experience.
“That experience is part of why the emotional purpose of my music matters so much to me today,” Caster shares. “I know that someone can be carrying something painful that nobody else sees. When I say I want my songs to uplift people, that comes from a personal place.”
With “Love Like Gold,” that purpose translates into a simple reminder to value the people who stay when things get heavy.
“If the song reaches someone who’s found that kind of love, or is still hoping to, I hope it reminds them to cherish it,” he says. “That’s what ‘gold’ means to me: something rare, lasting, and worth protecting.”
Follow Nick Caster:
Finding new artists is only part of presenting an independent music show. The programme also needs a recognizable opening, a clean transition into interviews and a quick reminder of the station name. Good spoken imaging ties those moments together without taking attention away from the songs.
The best jingle tool for that work should make routine updates affordable and give a presenter room to try different arrangements. A large effects catalogue is useful, but it is less useful if the voice you want requires an upgrade or every experiment adds another charge.
Our first recommendation is JingleLark for small stations and DJs making recurring spoken IDs. AIJingleMaker.com suits presenters who want a broader production catalogue, while AIJingleMaker.net offers the cheapest starting purchase of the three.
Disclosure: This article was prepared by JingleLark. It compares published features and prices checked on October 12, 2026, rather than a blind listening test. Prices are in US dollars; taxes may affect checkout totals.
What counts as a useful radio jingle?
Here, a jingle means a short spoken station ID, show opener or presenter tag, usually combined with music and effects. It does not necessarily mean a sung melody. Decide which format you need before comparing credit packs: spoken generations, sung generations and producer services can have different costs.
A weekly show might use one permanent opening and several changing lines. Keep the show name in the opening, then make separate tags for a guest, a new release or a special broadcast. This avoids regenerating the whole identity whenever the editorial content changes.
Three practical questions matter. Which voices are included in the first purchase? How many voice generations does that purchase cover? Can you rebuild the mix freely after generating a voiceover? These questions make pricing more meaningful than the credit count alone.
Quick comparison
| Tool | Best suited to | Entry purchase | What the pack covers | Main tradeoff |
|---|---|---|---|---|
| JingleLark | Recurring spoken imaging for small radio shows | $14.90 / 50 credits | 50 short or 25 longer voiceovers | All built-in voices and unlimited mixing; no sung jingles |
| AIJingleMaker.com | A wider voice and effects selection | $39 plus tax / 100 credits | 100 standard generations; longer Agent Mode scripts use two credits | Higher starting spend; additional production tools cost extra |
| AIJingleMaker.net | Occasional jingles at the lowest entry price | $9.99 / 100 credits | Approximately 50 voice generations | Starter voice, remix, export and storage limits |
1. JingleLark: best for everyday spoken show branding
Small independent stations often need straightforward production rather than a complex studio setup. JingleLark lets a presenter write the script, choose a voice and build a mix using an intro, background bed and outro. Its 24 built-in voices are available across the tiers, alongside 88 mixing-library items.
That makes JingleLark’s jingle maker our first choice for recurring spoken station IDs and presenter tags. The entry purchase includes the full built-in voice selection, and generating the voiceover is the paid step. Mixing, rebuilding the arrangement and downloading MP3 or WAV files are free and unlimited.
Automatic ducking lowers the background beneath the voice, and mixes are normalized to -16 LUFS. A presenter can reuse the same voiceover with a quieter bed for an interview transition and a more energetic arrangement for a programme promo. Reusing that voiceover does not require another generation; changing the script or requesting another take does.
How many voiceovers does $14.90 buy?
Starter includes 50 credits. A script up to 220 characters uses one credit, while a script from 221 to 900 characters uses two. The pack therefore covers 50 short voiceovers at approximately $0.30 each, or 25 longer voiceovers. A mixed example is 30 short IDs and 10 longer promos, using all 50 credits.
These are generation counts, not a promise of 50 approved final jingles. Replacement takes also use credits. The practical benefit is that you can continue adjusting the music and effects after choosing a generated voiceover without spending more.
Standard is $39 for 200 credits, approximately $0.20 per short voiceover. Pro is $99 for 600 credits, approximately $0.17 per short voiceover. Purchases are one-time and paid credits never expire.
Actual JingleLark pricing-page screenshot captured October 12, 2026.
A presenter can also create a voice clone from an authorized 8–30-second sample, with up to five clones per account. Creating the clone is free; generating speech uses the usual credits. Clone playback speed cannot currently be adjusted.
JingleLark concentrates on spoken imaging. It does not compose songs or generate sung jingles, and it does not directly import a finished external voiceover for mixing. WAV downloads are converted from MP3, rather than original lossless recordings. Download the finished file and import it into your station’s playout software yourself.
2. AIJingleMaker.com: best for exploring a larger catalogue
AIJingleMaker.com advertises more than 65 voices and over 1,000 effects. That broader selection may suit a presenter who wants to explore many different production styles. Its Starter purchase is $39 plus tax for 100 credits, with standard voice generation using one credit.
Standard scripts have a 125-character allowance, while Agent Mode supports longer scripts at two credits per long generation. It would be misleading to treat 125 characters as the entire product’s maximum. Paid credits do not expire and remixing is unlimited, so those benefits are shared with JingleLark rather than unique to it.
The All Tools package starts at $59 plus tax for 100 credits and adds tools such as Audio Canvas, Recorder, Uploader and Audiogram. There is also a separate sung-jingle service starting at $29 plus tax, using AI vocals mixed by a producer.
Choose this option when the wider catalogue or additional tools justify the starting spend. For a small station primarily replacing spoken tags, JingleLark offers a lower entry purchase and a focused workflow. The relevant comparison is the work you need to finish, not which site lists the most effects.
3. AIJingleMaker.net: best for the lowest starting cost
AIJingleMaker.net is cheaper at entry. Starter costs $9.99 for 100 credits, approximately 50 voice generations at two credits each. That is roughly $0.20 per generation, compared with about $0.30 for a short JingleLark Starter generation. JingleLark does not win this comparison on the lowest unit price.
The difference lies in the entry package’s limits. Starter includes Core Voices only, scripts up to 500 characters, 10 final mixes per voice, 10 audio-edit exports per day and 30-day audio-file storage. Those limits may be sufficient for an occasional ID that you download immediately. They provide less freedom for repeated production experiments than JingleLark’s full built-in voice access and uncapped mixing at entry.
Actual AIJingleMaker.net pricing-page screenshot captured October 12, 2026.
The $39.99 Standard package includes 500 credits, approximately 250 voice generations, Premium Voices, one reusable My Voice clone, 1,000-character scripts, unlimited remixing and re-exporting, and 90-day audio storage. Its Premium Voice unlock remains available after credits run out and after later Starter top-ups. Paid credits do not expire; the audio-storage window is a separate limit.
Sung jingles use 10 credits per generation. Choose .net if a lower first purchase or singing is your main priority. For a presenter who wants all built-in voices, free clone creation and unlimited mix exploration from the start, JingleLark has the more flexible entry offering.
A simple production routine for your next show
Write three short scripts before opening a generator: a programme opening, an interview transition and a return-from-break ID. Keep the permanent opening independent of this week’s guest names. Put changing information in a separate tag, and check names and pronunciations before broadcast.
Generate the voice first, then experiment with the arrangement. Listen beside both a quiet track and a louder one, and check the result on headphones and a small speaker. Keep a local copy of the approved file and note which version belongs to each show segment.
For that repeatable spoken-imaging workflow, JingleLark is our overall recommendation. Its appeal is the combination of full built-in voice access, clear short-versus-long generation pricing and free unlimited rebuilding. AIJingleMaker.net remains the cheaper entry option, and AIJingleMaker.com offers a larger catalogue. Choose the tool that supports the way your show actually runs.
Entertainment
Liz Cosline Turns Life Experience Into Meaningful Music, Inspiring Listeners Through Stories and Emotion
After More Than Three Decades in Business Leadership, the Philadelphia Native Is Pursuing Her Passion for Music With a Mission to Bring People Closer Through Shared Experiences
Every person has a story, and Liz Cosline hopes to help those stories find a voice through music. As the artist behind Song Creations – lizcosline, Cosline is building a new creative chapter that brings together her passion for storytelling, her experience in leadership, and her belief that human connection begins with understanding one another.
Raised in Philadelphia’s Mount Airy neighborhood after being born in Germantown, Cosline spent more than 32 years working in transportation, management, and business operations. Throughout her professional life, she developed a reputation for encouraging employees, strengthening teams, and helping others recognize their potential. Today, she is channeling that same people-centered approach into music, exploring a different way to communicate ideas, emotions, and experiences.
Her transition into music represents more than a change in career direction. It reflects a desire to explore creativity, discover new possibilities, and share messages that may resonate with people from all walks of life.
Finding Meaning in the Stories People Carry
Cosline’s approach to music is grounded in a simple belief: despite differences in background and circumstance, people often share similar emotions, hopes, challenges, and dreams.
For her, creating music begins with paying attention to those experiences. She sees songwriting as a way to explore feelings, recognize the experiences of others, and communicate messages that encourage empathy.
“I believe we are more the same than different,” is the principle that guides her outlook on storytelling and creative expression.
This perspective shapes the direction of Song Creations – lizcosline, where the emphasis is on meaningful messages and the emotional connections that music can create. Rather than limiting her creative work to her own experiences, Cosline is interested in the stories of others and the feelings that people can recognize in one another.
Her hope is that listeners will find something personal in her music, whether that means feeling understood, gaining a fresh perspective, or simply being reminded that their experiences matter.
From Business Leadership to Creative Exploration
Before pursuing music, Cosline built an extensive professional career centered on management, team development, and business operations. Her work included leadership and management training, employee inspiration, and team-building initiatives.
She has also contributed written articles on business and personal development platforms, including Ezine, GoArticles, and ArticleMark. Her professional accomplishments extended to media appearances, radio interviews, speaking engagements, and recognition as NAPW Woman of the Year.
One theme consistently connected these experiences: her interest in helping people grow and celebrating what they bring to the world.
Cosline has long valued the role of a leader and coach, believing that recognizing others can make a meaningful difference. As she moves into music, that philosophy continues to influence her goals.
The creative industry offers her a new way to put those values into practice. Instead of working primarily through business strategies and professional development, she can now explore human experiences through lyrics, melodies, and storytelling.
Her journey also demonstrates how a new passion can emerge after decades spent building a career in another field. For Cosline, this chapter is an opportunity to embrace learning, experimentation, and the excitement of creating something new.
Building an Independent Music Identity
Cosline is developing her artistic presence under the name Song Creations – lizcosline, using Suno as part of her music production process and DistroKid to distribute her work.
Her recent release, “Your Story,” reflects the importance she places on individual experiences and the messages people carry throughout their lives. The project forms part of her continuing exploration of music as a medium for expression and connection.
She is also developing “There Is Only One Way,” adding to a growing collection of creative work shaped by her interest in storytelling and shared human experiences.
As she continues creating, Cosline is exploring how independent music production can help bring her ideas to an audience. Her focus remains on the purpose behind each project and the possibility that a song can reach someone at just the right moment.
For an artist entering a new field after a long career elsewhere, the process brings both discovery and opportunity. Cosline is embracing that experience with curiosity and a willingness to see where her creativity leads.
A Continuing Commitment to Celebrating Others
Celebrating people has been an important part of Cosline’s outlook throughout her professional life. She believes that listening to others and acknowledging their experiences can strengthen relationships and encourage greater understanding.
That philosophy now extends into her musical ambitions. Through her work, she hopes to create opportunities for listeners to reflect on their own lives while becoming more open to the experiences of others.
Her vision reaches beyond producing songs. She hopes her music can encourage compassion, inspire respect, and remind people of the value of human connection in a world where differences can sometimes overshadow common ground.
Cosline understands that music reaches people in personal ways. A lyric or melody may bring back a memory, express a feeling that has been difficult to describe, or help someone see a familiar situation differently. Those possibilities are part of what makes this new journey so meaningful to her.
Looking Ahead With Purpose and Possibility
For Liz Cosline, the music industry represents a new road filled with opportunities to learn, create, and reach people in unexpected ways. She approaches this chapter with an appreciation for the experiences that shaped her past and an openness to what lies ahead.
“My hope is this music will make connections for people,” she says.
That aspiration captures the heart of her work. Having spent years helping people develop professionally and encouraging teams to succeed, Cosline is now exploring how songs can create a different kind of connection—one built on emotion, reflection, and shared understanding.
As Song Creations – lizcosline continues to evolve, her goal remains clear: to tell stories that matter, celebrate the people behind those stories, and use music to bring listeners closer together.
Her journey serves as an encouraging reminder that personal growth does not have to end with an established career. Sometimes, a new chapter begins when a person gives themselves permission to explore a long-held interest and discover the impact it may have on others.
For Cosline, that discovery is unfolding one song and one story at a time.
About Liz Cosline
Liz Cosline is a lyric writer and music creator known through her artistic identity, Song Creations – lizcosline. Born in Germantown and raised in Philadelphia’s Mount Airy neighborhood, she spent more than 32 years in transportation, management, and business operations before exploring music as a new creative direction. Her professional background includes leadership development, team building, employee inspiration, published articles, media appearances, and speaking engagements. Her music focuses on storytelling, emotional expression, compassion, and the connections people share. She uses Suno in her music production process and DistroKid for distribution.
Media Contact:
Liz Cosline
Song Creations – lizcosline
Instagram: @lizcosline
Facebook: https://www.facebook.com/
For interviews, media inquiries, and music-related opportunities, please connect with Liz Cosline through her official social media channels.
Nick Caster Hits #1 on Amazon Alternative Rock Chart With New Single “Love Like Gold”
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Liz Cosline Turns Life Experience Into Meaningful Music, Inspiring Listeners Through Stories and Emotion
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