Entertainment
Get to Know Jeremy Hines

1. Can you tell our readers about what really inspired you to write music?
I have always written poems as a kid since about 1st or 2nd grade. I sang in the church choir as a little boy. I also loved hip hop and rap since I was a kid growing up. Around the time that the movie Drumline came out, I had fallen in love with the snare drum and rapping. I used to like performing at the talent shows in elementary, whether that be rapping or playing the drum. I also played the snare drum in middle school and started a group called the little drummer boys. We would win at our talent shows in middle school. I also had older cousins and uncles that rapped, sang, and produced music so I’ve always kind of been around it. As far as inspiration to make music myself, I think that started in high school when I got introduced to the recording studio on campus. I was going through some pretty dark things mentally, and emotionally during that time and I found an outlet in writing about it and rapping it.
2. When did you realize you were going to make music professionally?
I have wanted to make music professionally since about 11th grade. I played varsity basketball from 10th-12th grade so there was a conflict at the time of what was more important. I chose basketball from 10th grade to a little bit after my last year of college. During this time I was always still writing. Once I wrote the song Pretty Little One in 2019 it sparked old feelings from high school about wanting to try music again on a serious level. Of course a lot has changed since 2010, so it’s been a challenge transitioning from basketball player to music artist.
3. How do you describe your sound/style?
I would describe my sound as kind of vintage. I think I have a classic hip hop feel that focuses on lyricism and consciousness. I have huge influences from various artists so I kind of pull from different people for inspiration.
4. What’s your process for dealing with performance anxiety?
Honestly, I have regular life anxiety in general so performing just amplifies it by 100. The last thing I did to help with my anxiety was drink. I ended up drinking too much and got drunk so by the time I performed, my senses were so gone that I didn’t even notice my mouth was too close to the microphone. No one could understand a word I was saying. Now I try to practice often by myself so that when I do get a crowd in front of me, I’m just going off muscle memory, just like in basketball. I try to tell myself to not take myself so seriously and just go out and share my art and be done with it.
5. What is your creative process when creating a new song?
My creative process varies. I have two main ways of writing songs. Sometimes words will just come to me based on some possible pent up emotions or feelings, and sometimes I’ll just write like I’m writing in a diary, and then turn it into a song later. I also listen to music all day so I might get inspired to write something after hearing someone else’s song.
6. Tell us about your new releases. What song are you pushing right now?
I have a song I just released called “Yellow Tape”. This song expresses concerns about police brutality towards citizens in the US, especially black men, as well as “citizen on citizen” brutality. The overall message in this music video advocates for the saving of lives. I’m into boxing a little bit so I’m telling people to put their guns down and put their dukes up. It’s taking the old school approach and telling people to just fight it out and shake hands, similar to boxers. People seem more emotional to me and are quick to make things turn lethal when it can be avoided. I also have other songs out currently, like My Creations, Pretty Little One, Paint, Quotas, and Wake Up.
7. What projects do you have in the near future?
I have a few singles and EPs I’ll be dropping soon. I’m shooting for an EP in the spring or summer.
Photo Credit: Kasee Brown
IG: @jay.dee.h
Entertainment
MAD Mike’s Root of All Evil: A Raw Testament from the Underground

The underground hip-hop world thrives on authenticity, and MAD Mike’s latest solo release, Root of All Evil, embodies that spirit completely. Dropping under Lost Soul Productions, the project delivers a heavy dose of raw lyricism, unflinching honesty, and dark, unrelenting production that makes it one of the most striking underground albums of the year.Featuring a roster of underground mainstays including NEMS, Lex the Hex Master, Mr. Hyde, Termanology, and Roc, the album doesn’t just lean on big names. Instead, each collaboration was carefully curated to match energy, tone, and purpose.Every feature feels organic, like a natural extension of the story Mike is telling, adding depth to the overall body of work.
At the heart of Root of All Evil lies the chemistry between MAD Mike and producer C-Lance, who provides a sonic backdrop drenched in dark atmospheres and metal-inspired grit. Their creative partnership, sharpened over multiple projects, has reached new heights here. With Albert Charlemagne’s mixing and mastering at Brooklyn Dragon’s Lair tying it all together, the result is a record that’s as sharp sonically as it is lyrically devastating.Thematically, the album pushes beyond MAD Mike’s earlier Nature of the Beast. Where that project explored demons within, this one confronts them head-on, using the framework of the seven deadly sins to reflect on cycles of trauma, broken family ties, and toxic relationships. It’s an album that doesn’t shy away from pain but instead transforms it into something cathartic and empowering.What makes MAD Mike stand apart in the horror-core lane is his ability to channel vulnerability through aggression. His guttural screams and fire-forged delivery aren’t gimmicks—they’re survival. The darkness in his music isn’t for shock value, but a way to turn suffering into strength and connection, echoing the legacy of artists like Tech N9ne and Ill Bill.With Root of All Evil now out, MAD Mike shows no signs of slowing down. More solo work is already on the horizon, promising an edgier, rock-infused direction, while new Dual Diagnosis music is also on the way. For fans of underground hip-hop that demands attention, Root of All Evil is more than just an album—it’s a declaration, a release, and a reminder that the underground is still alive with voices unafraid to bare it all.“This album is about breaking toxic cycles and turning pain into power,” says Mike.With steel-forged beats from C-Lance and the razor-sharp mix from Albert Charlemagne, Root of All Evil cements MAD Mike as one of the most unflinching voices in underground hip-hop.Tracklist Highlights:
- Blasphemy (feat. Lex the Hex Master)
- Shed Blood (feat. Mr. Hyde)
- You Can Get It (feat. NEMS | prod. The Arcitype)
- Blood Squirt Fever (feat. Roc)
- Cuttin’ Da Chain (feat. Termanology)
Stream the album now and follow the movement:
Tracklist – Root of All Evil (2025)
- Intro
- Blasphemy (feat. Lex the Hex Master)
- Shed Blood (feat. Mr. Hyde)
- You Can Get It (feat. NEMS | prod. The Arcitype)
- Blood Squirt Fever (feat. Roc)
- Cuttin’ Da Chain (feat. Termanology)
- Outro
Produced by: C-Lance
Mixed/Mastered by: Albert Charlemagne @ Brooklyn Dragon’s Lair
Billboard Top Hip-hop
Jimmy Dasaint: Philly’s Storyteller Who Does It All

From novels to movies to music, Jimmy Dasaint has built a career defined by one word—hustle. And this year, the Philly native is proving once again why he’s considered one of the city’s most influential creative voices.
His latest novel, BLACK SCARFACE 5: Fear is Stronger Than Love, is the explosive conclusion to his award-winning series. Co-written with former L.A. drug kingpin Freeway Rick Ross, the book dives deep into themes of survival, loyalty, and betrayal—all told through the gritty lens of Philadelphia’s streets. Fans have responded with overwhelming support, driving the book to ️️️ Star5️ reviews on Amazon.
But Jimmy’s storytelling doesn’t stop on the page. On September 20th, streaming service Tubi will release his newest feature film, THE WRONG BITCH. With a cast of rising stars—Tera Alford, JaQuai Felton, and Mavia Barnes—the film becomes Jimmy’s 13th feature, a testament to his consistency and dedication to bringing authentic urban stories to the screen.
And then there’s the music. Earlier this summer, Jimmy dropped STILL A HUSTLER, an album that has caught the attention of The Source, AllHipHop, and Floss Magazine. It’s raw, powerful, and reflective of the same resilience that has carried Jimmy through every stage of his career.
Through it all, Jimmy remains true to his motto: “Bringing Hollywood to Philly.” With each project, he shines a spotlight on his city while inspiring the next generation of creators to believe that success doesn’t have to come from leaving home—it can be built right here in Philadelphia.
Follow Jimmy Dasaint’s journey:
Website: www.dasaintentertainment.com
Instagram: @jimmydasaint1
Music: Streaming on all major platforms
Entertainment
Get Money Piken: Beef Muzik – Raw. Unfiltered. Street Certified.

When it comes to street rap, authenticity isn’t just a quality—it’s the code. Get Money Piken: Beef Muzik lives and breathes that code, delivering a mixtape that’s unapologetically raw, unfiltered, and stamped with street credibility.
This isn’t polished pop rap or watered-down mainstream vibes. This is Beef Muzik—a project fueled by survival, loyalty, and the unspoken rules of the grind. Every track is layered with aggressive lyricism, heavy trap beats, and a gritty narrative that speaks directly to those who know the hustle firsthand.
From money moves to betrayal, from loyalty to beef, Piken doesn’t just rap—he testifies. Each bar drips with intensity, painting the realities of street life in bold, unrelenting strokes. Whether he’s calling out rivals or flexing the rise from the bottom, the delivery is consistent: powerful, fearless, and deeply rooted in authenticity.
Beef Muzik – song and lyrics by Get Money Piken, Yung Glizzy | Spotify
But Beef Muzik isn’t just sound—it’s a war cry. It’s the soundtrack for the come-up, for those who live by the code and never fold under pressure. It’s music that represents the grind, the pain, and the victories of life in the trenches.
For the streets. By the streets.
This is Get Money Piken: Beef Muzik.